Skip to main content

Abba-dabba-doo – will new music from Swedish superstars be worth the wait?

"OK guys, let's try not to be too OTT... ah. Too late."

When Swedish quartet Abba last recorded music together, I was 15 years old. 

I know that, based on my youthful good looks, you’re probably thinking that was about 20 years ago. 30 at a push.

Miles out – it was 35 years ago. Following aborted attempts at a ninth album, they went their separate ways in 1983. As they never officially went on record to say they’d split up, you could argue this has just been a very, very, long break. More than long enough for other returnees, such as Take That, to grow up, form a group, have hits, split up, leave it for a while, get back together, have more hits, then gradually shed members.

Arguably still at their peak when they said “Thank You For The Music” and vanished, Björn, Benny, Agnetha and Anni-Frid produced some of the most joyous and infectiously catchy pop music of the 70s and 80s.

As with most music icons, it wasn’t long before they were viewed as cheesy, kitschy, yesterday’s hit-makers. The 1990s saw a turnaround, spurred by the success of the ridiculously successful “Gold” collection, and later the smash hit musical Mamma Mia.

Despite pleas for them to reunite, including an offer of a billion dollars to tour in 2000, the band clearly weren’t interested in the Money Money Money.

The first sign of a public reconciliation came as recently as 2016, when all four appeared together on stage for the first time at the new Swedish production of Mama Mia. Recent work on a “virtual reality” avatar tour (i.e. computer generated) seems to have brought them together again, with the truly surprising consequence being two brand new songs.

They described it as “an extremely joyful experience”, and one of the numbers – called “I Still Have Faith In You”- will appear in a TV special in December, with the digital (and younger) version of the group giving it it’s first outing.

You can’t blame the flesh and blood versions for not wanting to go out and perform it– the youngest of them is 68 now, with the other three all into their 70s.

So far, so spangly-jump-suitedly exciting. But there is one very important question – what if it’s (whisper it)... a bit rubbish? Trawl the albums – there is the occasional dud. I certainly can’t do some of the things I used to do when I was 15 nearly as well now, but the less said about that the better.

What if the mighty Abba spent 35 years keeping us waiting, and then provided us with something distinctly abbarage? Of course, there will be those that will hate it anyway, simply because it’s not ‘classic’ Abba.

There is a precedent, of sorts. When the remaining Beatles got back together with a tape of John Lennon’s “Free As A Bird”, it turned out that the magic was definitely still there. Of course it wasn’t 1960s Beatles. It was still damn good, though.

So - Q: Am I impatient to hear Abba’s new songs? A: Gimme! Gimme! Gimme!

This post first appeared as the lead piece in my column/page in The Mail and the News & Star, on the 4th of May 2018. The paper re-titled it as the slightly less inspiring "On track for another hit".

Excited much? Ohmygodyes. If you can't wait, here's something rather joyous from a couple of years ago, with a suitably over the top appearance from Rik Mayall, and plenty of  the band's lyrics to spot hidden in dialogue, as well as some cameos from Abba themselves. Enjoy!


(CD A-Z: RCD Classic Collection 9 - Classic Blues.)

Comments

Popular posts from this blog

Making an exhibition of yourself

Now and again, it’s good to reaffirm that you’re a (relatively) normal human being. One excellent way of doing this is to go to a business exhibition. Despite what you might have surmised from reading my previous columns, I am employable, and even capable of acting like a regular person most of the time, even joining in the Monday morning conversation about the weather over the weekend, and why (insert name of footyballs manager here) should be fired immediately. The mug! True, there are times, often involving a caffeine deficiency, where it is like having the distilled essence of ten moody teenagers in the room, but I try and get that out of the way when people I genuinely like aren’t around to see it. As part of my ongoing experiment with what others call ‘working’, my ‘job’ involves me occasionally needing to go and see what some of my colleagues get up to outside the office, and what our competitors do to try and make sure that they do whatever my colleagues do better than ...

Suffering from natural obsolescence

You know you’re getting old when it dawns on you that you’re outliving technological breakthroughs. You know the sort of thing – something revolutionary, that heralds a seismic shift it the way the modern world operates. Clever, time-saving, breathtaking and life-changing (and featuring a circuit board). It’s the future, baby! Until it isn’t any more. I got to pondering this when we laughed heartily in the office about someone asking if our camcorder used “tape”. Tape? Get with the times, Daddy-o! If it ain’t digital then for-get-it! I then attempted to explain to an impossibly young colleague that video tape in a camcorder was indeed once a “thing”, requiring the carrying of something the size of a briefcase around on your shoulder, containing batteries normally reserved for a bus, and a start-up time from pressing ‘Record’ so lengthy, couples were already getting divorced by the time it was ready to record them saying “I do”. After explaining what tape was, I realised I’d ...

"It's all gone quiet..." said Roobarb

If, like me, you grew up (and I’m aware of the irony in that) in the ‘70s, February was a tough month, with the sad news that Richard Briers and Bob Godfrey had died. Briers had a distinguished acting career and is, quite rightly, fondly remembered most for his character in ‘The Good Life’. Amongst his many roles, both serious and comedic, he also lent his voice to a startling bit of animation that burst it’s wobbly way on to our wooden-box-surrounded screens in 1974. The 1970s seemed to be largely hued in varying shades of beige, with hints of mustard yellow and burnt orange, and colour TV was a relatively new experience still, so the animated adventures of a daft dog and caustic cat who were the shades of dayglo green and pink normally reserved for highlighter pens, must have been a bit of a shock to the eyes at the time. It caused mine to open very wide indeed. Roobarb was written by Grange Calveley, and brought vividly into life by Godfrey, whose strange, shaky-looking sty...