Welcome to Happytown

Sunglasses when it's dark? Check. Rock God? Check.

Brace yourselves, I’ve got some shocking news. My faith in humanity has been restored. In London.

That’s a lot to process, isn’t it? First off, I can reassure you that I haven’t been kidnapped and a cheerier, equally dashing, doppelganger parachuted in to replace me. It’s fair to point out that this may also be a fleeting version of me, destined to have evaporated like the mist on a sunny morning by the time you read this.

But hey – I’m in a happy place for the time being. All thanks to a trip to Wembley Stadium last Saturday to see Jeff Lynne’s Electric Light Orchestra. I haven’t been there for 25 years... or ever, if you take into account the fact that it’s been replaced since I went to the Freddie Mercury Tribute concert in ’92.

True, the day could have started better. As we approached Arnside station in the car, a train was rattling across the viaduct, accompanied by a dawning realisation that we’d got the departure time wrong. I really didn’t know I could still run that fast. Or pant that loudly in a quiet carriage.

The normal tension of a countryside-dweller visiting London melted away on the tube, when we struck up a conversation with some fellow fans (which presumably broke several by-laws).

If that wasn’t already somewhat over-chummy by the capital’s standards, the thorough security checks to get in were delightfully good-natured and friendly (getting felt-up at my age is a bonus, too), and inside the stadium it got even better. This was by far the most welcoming gig I’ve ever been too. People chatted warmly, many seemingly knew each other, and a guy I’ve never met complimented me on my T-shirt.

Every era of ELO was represented, from 70s satin bomber jackets and vintage tour Ts, to people in sky blue suits with white clouds on. The concert was glorious – I have never seen so many happy people in one place, singing madly along and grinning like it was all their birthdays and Christmases put together.

Afterwards, the inevitable queue along Wembley Way to get to the tube station (normally about as much fun as tipping spaghetti into a Dyson Airblade whilst wearing you best white suit) became a joy too. Someone was playing “YMCA”, and suddenly hundreds of people were singing along and performing the accompanying dance. Even our hotel-bound pit-stop for something to drink was boosted by a chat with a polite and friendly homeless guy (who got Mrs G’s planned breakfast).

On Sunday, tired and a bit croaky, we clambered onto our train home to be greeted by two very American ladies at our allocated seats who welcomed us “to the cool table”. We traded gig stories, and chatted about their trip to Glasgow and “Edingburrow”.

What a weekend. I’m smiling again now, just thinking about it.

Maybe I should put the news on the TV – that should have me back to my miserable self faster than you can say “In the House of Commons today...”

This post first appeared as my "Thank grumpy it's Friday" column, in The Mail, on the 30th of June 2017. Both the print edition and the version used on the paper's website changed the title to "Don't bring me down from my ELO high". Nice work there, and better than my effort. I did consider using an ELO song title somehow, but shied away from it as I wrote a review of the Manchester gig last year, and wanted this to be more about the whole experience. The online version also used the photo I submitted.

In a major 'small world' moment, it turned out that a friend was going to Wembley just a few days later to see Adele. Cumbria is a long way to travel from for a gig in the capital, so we have to take it in turns, or there's no-one left to look after the sheep.

Coincidentally (and a bit spookily) one of the American ladies on the train was going to see Adele, on the original last night, and then the actual last night, after she added another date. I see from the news this morning that a croaky Adele has cancelled both. Ooh. Bummer.

Hello from the other side! (of the pond.)

(CD A-Z: Pink Floyd's "The Early Singles". Psychedelicalicious!)

"It's all gone quiet..." said Roobarb

If, like me, you grew up (and I’m aware of the irony in that) in the ‘70s, February was a tough month, with the sad news that Richard Briers and Bob Godfrey had died. Briers had a distinguished acting career and is, quite rightly, fondly remembered most for his character in ‘The Good Life’. Amongst his many roles, both serious and comedic, he also lent his voice to a startling bit of animation that burst it’s wobbly way on to our wooden-box-surrounded screens in 1974. The 1970s seemed to be largely hued in varying shades of beige, with hints of mustard yellow and burnt orange, and colour TV was a relatively new experience still, so the animated adventures of a daft dog and caustic cat who were the shades of dayglo green and pink normally reserved for highlighter pens, must have been a bit of a shock to the eyes at the time. It caused mine to open very wide indeed. Roobarb was written by Grange Calveley, and brought vividly into life by Godfrey, whose strange, shaky-looking sty...

Suffering from natural obsolescence

You know you’re getting old when it dawns on you that you’re outliving technological breakthroughs. You know the sort of thing – something revolutionary, that heralds a seismic shift it the way the modern world operates. Clever, time-saving, breathtaking and life-changing (and featuring a circuit board). It’s the future, baby! Until it isn’t any more. I got to pondering this when we laughed heartily in the office about someone asking if our camcorder used “tape”. Tape? Get with the times, Daddy-o! If it ain’t digital then for-get-it! I then attempted to explain to an impossibly young colleague that video tape in a camcorder was indeed once a “thing”, requiring the carrying of something the size of a briefcase around on your shoulder, containing batteries normally reserved for a bus, and a start-up time from pressing ‘Record’ so lengthy, couples were already getting divorced by the time it was ready to record them saying “I do”. After explaining what tape was, I realised I’d ...

Shouting in the social media mirror

It was always tricky to fit everything you wanted into the intentionally short character count of Twitter, especially when, like me, you tend to write ridiculously long sentences that keep going on and on, with no discernible end in sight, until you start wondering what the point was in the first place. The maximum length of a text message originally limited a tweet to 140 characters, due to it being a common way to post your ramblings in Twitter’s early days. Ten years later, we’ve largely consigned texting to the tech dustbin, and after a lot of angst, the social media platform’s bigwigs have finally opted to double your ranting capacity to 280. Responses ranged from “You’ve ruined it! Closing my account!” to the far more common “Meh” of modern disinterest. As someone rightly pointed out, just because you have twice as much capacity doesn’t mean you actually have to use it. It is, of course, and excellent opportunity to use the English language correctly and include punctuat...

grumpyf1

Search This Blog