Skip to main content

Rick rolls to number 1

Apparently, he’s never going to give you up, let you down, run around or desert you. And his latest album is number 1 almost three decades after his last chart-topper.

Rick Astley (steady, ladies) – for it is he, of course – has made it to the top spot for the first time since 1987. The last album of his to do that was also his first, titled, you’ve guessed it, “Never Gonna Give You Up”, featuring a track with the same title that gained him huge success, and a rather odd legacy.

Back then, the youthful Richard graduated from Tea Boy to Stock, Aitken and Watermen (the three horsemen of the Popaclypse) sausage-factory success with the irritatingly catchy tune, his surprisingly deep voice, wholesome image and some questionable dancing skills.

A number 1 hit in 25 countries, Rick continued to churn out the hits for his pop-paymasters until 1990, ditching their stewardship in favour of a more soulful style. Three years later, he’d packed it in – at the ripe old age of 27 – to focus on family life and raising his daughter.

New albums and singles after the clock ticked over to 21st century only slightly troubled the charts, with the exception of a Greatest Hits package in 2002, which reached the dizzy heights of number 16.

The world gradually forgot about Rick, until around a decade ago. At which point “rickrolling” barged it’s way onto the scene, as he became the subject of a viral internet meme. In case you somehow managed to miss it, this was a challenging experience where you followed a link expecting something else and got Rick’s video instead.

With hundreds of millions of views, the world certainly remembered the 80s boy-next-door alright, but largely because they now wanted to punch him on the hooter.

Occasional releases followed, until the imaginatively entitled “50” was released last month, presumably because sticking your age on the cover has worked particularly well for Adele.

Hey presto – it went to number one last week, beating off Tom Odell, Paul McCartney, ELO (yay!) and Drake, the UK charts again featuring a strange mix of old and new artists. Rather splendidly, Mr Odell was three years away from being born the last time Rick graced the top spot.

Tellingly, according to the Official Charts Company, Odell had more digital sales and streams, but was beaten into second place by Astley fans’ CD purchases. The middle-aged masses want something physical for their money! At the final count, there were just 3,700 copies between the two.

So hurrah for the Lancashire-born lad – he may have struggled to be taken seriously in the 1980s, but battling it out with the cool young things and veteran hit-makers to get to the top shows you can’t keep a great voice, and a dedicated fan base, down.

And the good news is, he’s never gonna make you cry, say goodbye or tell and lie and hurt you, either. Thanks, Rick.

This post first appeared as my "Thank grumpy it's Friday" column, in the North West Evening Mail, on the 24th of June 2016.

The paper retitled it as "Fans will never give Rick up", and this featured intensive research from me, as I looked at two and a bit different websites to get my Rick Facts.

As it turned out, I'd imagine that hardly anybody read it, as the whole Brexit thing landed loudly on top of everything else happening on that day.

I had contemplated penning a Referendum column, but as I have to submit my scribblings on Wednesday evening, it could only have been a "whatever happened, here's what's going to happen" thing.

The other option was to write two different columns, one for In and the other for Out, but even then, despite it's name suggesting otherwise, the paper gets published quite early in the day, so it will have already been on the presses when the result was confirmed.

On a separate note, the North got a new paper this week - '24' - covering national stories with a North of England bias. It also features an Opinion section each day by different columnists - a whole page! One larger piece (at a guess, 650 words-ish) and two short (150ish) with pictures. Jealous? Me? Hell, yes. 

I often write more than my allotted 500 words and have to edit down, and there are always other things going on I could happily comment on in short form, and the larger geographic spread would be fantastic. Ah well...

(CD A-Z: Peter Gabriel's deep and dark New Blood from 2011.)

Comments

Popular posts from this blog

Making an exhibition of yourself

Now and again, it’s good to reaffirm that you’re a (relatively) normal human being. One excellent way of doing this is to go to a business exhibition. Despite what you might have surmised from reading my previous columns, I am employable, and even capable of acting like a regular person most of the time, even joining in the Monday morning conversation about the weather over the weekend, and why (insert name of footyballs manager here) should be fired immediately. The mug! True, there are times, often involving a caffeine deficiency, where it is like having the distilled essence of ten moody teenagers in the room, but I try and get that out of the way when people I genuinely like aren’t around to see it. As part of my ongoing experiment with what others call ‘working’, my ‘job’ involves me occasionally needing to go and see what some of my colleagues get up to outside the office, and what our competitors do to try and make sure that they do whatever my colleagues do better than ...

"It's all gone quiet..." said Roobarb

If, like me, you grew up (and I’m aware of the irony in that) in the ‘70s, February was a tough month, with the sad news that Richard Briers and Bob Godfrey had died. Briers had a distinguished acting career and is, quite rightly, fondly remembered most for his character in ‘The Good Life’. Amongst his many roles, both serious and comedic, he also lent his voice to a startling bit of animation that burst it’s wobbly way on to our wooden-box-surrounded screens in 1974. The 1970s seemed to be largely hued in varying shades of beige, with hints of mustard yellow and burnt orange, and colour TV was a relatively new experience still, so the animated adventures of a daft dog and caustic cat who were the shades of dayglo green and pink normally reserved for highlighter pens, must have been a bit of a shock to the eyes at the time. It caused mine to open very wide indeed. Roobarb was written by Grange Calveley, and brought vividly into life by Godfrey, whose strange, shaky-looking sty...

Suffering from natural obsolescence

You know you’re getting old when it dawns on you that you’re outliving technological breakthroughs. You know the sort of thing – something revolutionary, that heralds a seismic shift it the way the modern world operates. Clever, time-saving, breathtaking and life-changing (and featuring a circuit board). It’s the future, baby! Until it isn’t any more. I got to pondering this when we laughed heartily in the office about someone asking if our camcorder used “tape”. Tape? Get with the times, Daddy-o! If it ain’t digital then for-get-it! I then attempted to explain to an impossibly young colleague that video tape in a camcorder was indeed once a “thing”, requiring the carrying of something the size of a briefcase around on your shoulder, containing batteries normally reserved for a bus, and a start-up time from pressing ‘Record’ so lengthy, couples were already getting divorced by the time it was ready to record them saying “I do”. After explaining what tape was, I realised I’d ...