Skip to main content

Not feeling it... literally

1745.

That’s how many CDs I own. Yeah... that is quite a lot, isn’t it? Whilst prices vary enormously, at a rough estimate that means I’ve spent around £10,000 on music. Of course, that ignores the cassettes, CD singles, and vinyl 7”, 12” and albums.

If only there had been some handy way of just paying a sum each month and listening to whatever I wanted – I wouldn’t have a wall full of shiny silver discs.

Just to depress myself, let’s assume a streaming music service (like Spotify) costs £10 a month. On that basis, I could have used it for 1,000 months for the same outlay as the CDs alone. Or about 83 years. Ah.

Still, there’s something nice about having a physical product, and I’d always presumed I was the righteous one – until I got the calculator out a couple of minutes ago.

For those of you fortunate enough to be growing up in the time of streaming services for music, and video content, you can get just about anything recorded, ever, to enjoy whenever and wherever you want.

A youthful colleague at work told me today that she hasn’t purchased a CD or DVD for more than a decade. I purchased a CD last week.

It seems I’m part of endangered species - more was spent on pay-as-you-play in 2018 than on stuff you can hold in your hand and shove in a player. 62% of money spent on music went to subscription services, whilst video on demand took 55%, according to the Entertainment Retailers Association.

Music and movies weren’t the first to reach this tipping point either – they were beaten to it a few years ago by the gaming world, and the monthly fees gamers pay for online multiplayer fun.

Even within my own family I’m the dark-ages sibling – both my brothers use music streaming services, and donated/ebay-ed their physical formats years ago.

I have to scan the racks to track down the particular album I want, or remember that a track is on a particular disc, then load and listen. It’s pretty tricky for me to shuffle my favourites too, although it would probably be good exercise – my collection is currently in a different room to the player.

Maybe it’s finally time I went digital and ditched the discs. I could have a fresh coaster for my cappuccino every week for the next 28 years.

This post first appeared as my "A wry look at the week" column, in The Mail, on Friday the 8th of March 2019. The version used on their website was re-titled as "Is it time to ditch the discs?". Good title, actually. Why didn't I think of that?

It's 1747 now, by the way. The two that have expanded the collection yet further are KT Tunstall's "Wax" and Within Temptation's "Resist". Will I NEVER learn?

(Tape time: No 094 - a sterling collection of recordings of mainly white label 12" singles, from when my friend Dave's mum was dating a DJ, who got 2 copies of records sent out by a label, but after moving out one set still arrived. Includes Talk Talk (mentioned just last week) Gloria Gaynor, Matthew Wilder and the brilliant "Self Control" by Raf - which is miles better than Laura Brannigan's version, but wasn't a hit. Phew. Carry on.)

Comments

Popular posts from this blog

The Schaf Shuffle

The weather – source of endless fascination, conversation, irritation and (just recently) excess irrigation. And a fidgety weather presenter on the BBC... I’m endlessly fascinated with the weather, and will confess to making sure I catch the BBC’s updates whenever possible. Not the local ones, where half the presenters look like they got dressed in the dark, or ITV, where they seem to know very little about actual weather, but the national forecasts. Delivered by actual Met Office personnel, their job entails a tricky mix of waving your hands about a bit, explaining about warm fronts without smirking, and trying not to look too pleased whilst mentioning gales force winds and torrential rain. Or stand in front of Cornwall. Each has their own presenting style, but there is one who intrigues me above all the others. Step forward, Tomasz Schafernaker, the 37 year old man from the Met who breezed onto our screens in 2001, as the youngest male ever to point out that it was going to r...

Making an exhibition of yourself

Now and again, it’s good to reaffirm that you’re a (relatively) normal human being. One excellent way of doing this is to go to a business exhibition. Despite what you might have surmised from reading my previous columns, I am employable, and even capable of acting like a regular person most of the time, even joining in the Monday morning conversation about the weather over the weekend, and why (insert name of footyballs manager here) should be fired immediately. The mug! True, there are times, often involving a caffeine deficiency, where it is like having the distilled essence of ten moody teenagers in the room, but I try and get that out of the way when people I genuinely like aren’t around to see it. As part of my ongoing experiment with what others call ‘working’, my ‘job’ involves me occasionally needing to go and see what some of my colleagues get up to outside the office, and what our competitors do to try and make sure that they do whatever my colleagues do better than ...

RIP Jenwis Hamilbutton

We are gathered here in this... (looks round a bit) um... blog, to mourn the passing of Jenwis Hamilbutton. His life may have been short and largely irrelevant, but he touched the lives of so many people that... sorry? Oh. Apparently that was someone else... Jenwis Hamilbutton rose briefly to fame on twitter during 2010, when he was retweeted by BBC F1 presenter Jake Humphrey, having criticised his shirt. A similarly unspectacular claim to fame occurred when a tweet he crafted at 1am on a windy night appeared in F1 Racing magazine. An amalgam of bits of Formula 1 drivers Lewis Hamilton and Jenson Button (mostly the hopeless bits), he came into existence via 3 pints of cider, a Creme Egg and the Electric Light Orchestra’s mournful 1986 farewell album “Balance Of Power”, played loudly over headphones. In his short existence, he was followed on twitter by Paul Hardcastle of “19” fame, and a bunch of slightly odd but jolly nice people, whom he was never entirely sure actually exist...